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The aesthetic quality of the Sholes-Glidden would surely have been a major consideration of HadwenвЂ™s when donating the typewriter and a key motivation for the Museum to acquire it. What is clear is that the Sholes-Glidden is not only of historical significance, but it has a beauty that is unique among typewriters then and now. It is not certain why Hadwen donated this typewriter to the Museum but by 1904 the Sholes-Glidden would have been decades out of date and quite unsuited for use in HadwenвЂ™s chain of typewriting offices. Later in 1904, HadwenвЂ™s typewriting firm, Hadwen & Fleming, assisted with the appointment of a female typist to Inverness District Asylum, which at that time was in rapid expansion.

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вЂњWe have not yet arrived at the full damage to the community caused by the pernicious boiled tea which replaces the porridge and milk of former days, but we shall see it, only we shall not be able to tabulate it, any more than we can tabulate the whisky damage.вЂќ

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This included a few rather peculiar suggestions on how to вЂњcure the great army of lunatics who burden ScotlandвЂќ. In 1901 Hadwen published an essay for The Poor Law Magazine titled вЂThe Increase of Pauper InsanityвЂ™. A member of the Edinburgh Parish Council, Hadwen took a particular interest in the politics of mental health in Scotland. Between 18 Hadwen ran a chain of typewriting offices across Edinburgh and Leith, producing typewritten correspondence for customers who did not have ready access to a typewriter or typist. Yet the Sholes-Glidden remains one of the most important typewriters in the collection, a significance that is underpinned by the background of its donor, Ethelinda Hadwen. From here the collection has expanded to over 100 typewriters and auxiliary devices, which reflect the diversity in the typewriter market during the late 19th and 20th centuries. The Sholes-Glidden Typewriter (left) with a close up of the manufacturing label (right).ДЄ quick look in the MuseumвЂ™s accession registers showed that the Sholes-Glidden was donated in 1904 and was the first typewriter to be acquired by the Museum. Recently, while exploring the typewriter collections at the National Museums Collection Centre in Edinburgh, I took the opportunity to take a closer look at the crown jewel in the MuseumвЂ™s typewriter collection: a Sholes-Glidden Typewriter from 1875. Yet the early sale of the Sholes-Glidden in Glasgow and Edinburgh signalled the start of a rapid expansion in the Scottish typewriter trade that continued well into the next century. By the late 1870s, Remington began exporting a few hundred of its typewriters across the Atlantic, with the Sholes-Glidden achieving limited success in the Scottish market. Remington and Sons bought the rights to the invention and the following year the typewriter was put into commercial production. In 1873, American gun and sewing machine manufacturers E. Soule and Carlos Glidden in the late 1860s and early 1870s. This new machine was the Sholes-Glidden Typewriter, developed by Christopher Latham Sholes, Samuel W.

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вЂњAs agent for this inventionвЂ¦ I have supplied several professional and mercantile gentlemen in Glasgow and neighbourhood with it.вЂќ

With a sly bit of advertising for his own business Dougall continued:

вЂњI think it right, if you will give me the privilege of your columns, to point out that the type writer has been for some time in use in Glasgow.вЂќ Dougall of Glasgow wrote into the Herald to correct the ReverendвЂ™s presumption that he was the only user of the typewriter in Scotland. You had a description from The Times the other day of the new machine called the type writer, used for writing with instead of the penвЂ¦ДЄs the one I am using may, for all I know be the only one in our part of the country yet, it occurs to me that many of your readers, might like to know how it is found to work in ordinary hands.вЂќДЇour days later, J.D.

On, Reverend Macrae of Gourock in the West of Scotland wrote to the editor of Glasgow Herald stating that:

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